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“Hard to believe”: the bad review that haunted Warren Beatty for 60 years Reading bad reviews about your work is inevitable when you’re an artist – it doesn’t matter if you’re a painter, a musician, or an actor. People are always going to share their opinions, whether you like it or not, but even the biggest Hollywood stars are prone to getting hung up on the negative reception to their art.

The best you can do is ignore bad reviews, because at the end of the day, these opinions are just that – subjective opinions. Warren Beatty is still bitter about a certain review, though, clinging to its words decades later. The actor, of course, starred in Bonnie and Clyde in 1967, which he also produced, and while it remains a classic of the New Hollywood era, it wasn’t initially received so unanimously.

Well, many critics were impressed by Arthur Penn’s film, which was undeniable, but the sheer violence contained in the narrative was enough to have audiences up in arms. Never before had a mainstream movie been so violent, so full of nihilism and bloodshed. This was something brand new for Hollywood – only recently had the Hays Code weakened its grip on cinema and allowed such images to be shown so freely. Naturally, some people were terrified by what they were witnessing, not just in the film but in society.

Was this kind of thing now acceptable to show on screen? Is this what was happening to this new era of America, where people were sexually free, and peace was everyone’s modus operandi? How was this peaceful? Bonnie and Clyde was like a shot of the purest, strongest vodka, a gunshot going off that signalled a new era for filmmaking. Penn’s film featured brief nudity, which was shocking for the time, lots of ammunition, blood, and a romantic depiction of two notorious criminals.

People wouldn’t bat an eye today, but in the late ‘60s, this was practically obscene. I mean, just think about the ending, in which the titular couple get gunned down in one of the most brutal end sequences Hollywood had ever seen. Beatty couldn’t help but be a little offended when some of the reviews came in, and a certain big publication didn’t have anything nice to say about the levels of violence seen in the film. “Great reviews.

Tremendous reviews One critic called it the best American movie since On the Waterfront,” he told Roger Ebert in 2012. “And you know what really hurts? What really hurts is that one lousy review in the New York Times. Bosley Crowther says your movie is a glorification of violence, a cheap display of sentimental claptrap and that’s that. The New York Times has spoken, hallelujah.” Of course, Bonnie and Clyde was not meant to glorify violence, but some viewers, like Crowther, clearly took it that way.

Beatty continued, “Because Crowther writes for the New York Times, he has influence all out of proportion to his importance. Out in the bush leagues, the theatre owners, they read the Times. For them, Crowther is God. Everybody in the world can like a movie, and if Crowther doesn’t, he kills it.” Beatty was actually convinced that Crowther had misinterpreted the film and its reaction from certain audience members. How could he possibly say that this was a bad movie?

“Maybe Crowther thought when the audience cheered, it was cheering for violence,” he hypothesised. “See, there are several scenes in which we carefully develop one emotion in the audience, and then – zing! – we cut very fast to the opposite emotion. So you’re sitting there laughing and suddenly you look at the screen and what you’re laughing at isn’t very funny at all.”

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“Hard to believe”: the bad review that haunted Warren Beatty for 60 years Reading bad reviews about your work is inevitable when you’re an artist – it doesn’t matter if you’re a painter, a musician, or an actor. People are always going to share their opinions, whether you like it or not, but even the biggest Hollywood stars are prone to getting hung up on the negative reception to their art.

WarrenBeatty-Wikipedia?

The best you can do is ignore bad reviews, because at the end of the day, these opinions are just that – subjective opinions. Warren Beatty is still bitter about a certain review, though, clinging to its words decades later. The actor, of course, starred in Bonnie and Clyde in 1967, which he also produced, and while it remains a classic of the New Hollywood era, it wasn’t initially received so una...

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“Maybe Crowther thought when the audience cheered, it was cheering for violence,” he hypothesised. “See, there are several scenes in which we carefully develop one emotion in the audience, and then – zing! – we cut very fast to the opposite emotion. So you’re sitting there laughing and suddenly you look at the screen and what you’re laughing at isn’t very funny at all.”

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“Hard to believe”: the bad review that haunted Warren Beatty for 60 years Reading bad reviews about your work is inevitable when you’re an artist – it doesn’t matter if you’re a painter, a musician, or an actor. People are always going to share their opinions, whether you like it or not, but even the biggest Hollywood stars are prone to getting hung up on the negative reception to their art.

The one bad review that hauntedWarrenBeattyfor 60 years?

“Hard to believe”: the bad review that haunted Warren Beatty for 60 years Reading bad reviews about your work is inevitable when you’re an artist – it doesn’t matter if you’re a painter, a musician, or an actor. People are always going to share their opinions, whether you like it or not, but even the biggest Hollywood stars are prone to getting hung up on the negative reception to their art.